Showing posts with label Kurt Cobain. Show all posts
Showing posts with label Kurt Cobain. Show all posts

Thursday, September 28, 2017

Origami Butterflies With Ominous Messages Appear In Seattle


fremontrollsafe


Strange notes in the form of origami butterflies have been found in the city of Seattle.  The ominous messages declare that the reader of the note, “is not safe.”


The appearance of these creepy messages are strange, and some of the theories are even stranger. In recent days, some Seattle residents have found little-folded up notes around the city in neighborhoods like Capitol Hill, Queen Anne, and Fremont. Some of the notes are folded into origami butterflies giving them a softer visual appearance. But when one unfolds the sweetly looking butterfly, inside is the phrase, “You Are Not Safe,” superimposed on a Seattle-specific image — the skyline, or the Fremont Troll. There’s also a date, “9/28/17.”


The Fremont Troll sculpture under the Aurora Bridge in Seattle.

The Fremont Troll sculpture under the Aurora Bridge in Seattle.




While the troll may appear ominous at first glance, it’s just a sculpture, but it is appearing on some of the origami warnings. Some of the notes also display a web address, www.allgodsmustdie.com.


fremontrollsafe


One of the images in these strange folded notes depicts the Fremont troll surrounded by what could be a river of anything liquid. From blood to coffee or even water, the minds of those who have seen these are running wild. The date and website complete the message.


The website doesn’t seem to be working at all at the time of this writing, but even before that, The Seattle Patch reported that there isn’t much at all on the site anyway. If you were to visit it while it is working, you see a scramble of letters that eventually move together to form that phrase, “You Are Not Safe.” In the background, Wagner’s “Das Rheingold” plays. If you wait long enough, an image of what appears to be an upside-down psychedelic goat appears behind the words.


Another of the eerie notes unfolds to show a mirror image of the Seattle skyline. When you look closely, one side is missing the Space Needle. People have speculated about the note being a threat against Seattle’s most famous landmark. Or, could it be a reference to the heroin epidemic and King County’s safe-use heroin injection site proposal?  No one knows.


notsafe


Queen Anne resident Alyson Rae was among the Seattleites who found a few of the notes. They were scattered outside her apartment building over the weekend. When Rae unfolded one of the notes and saw what was inside, she was a little concerned. She went on Facebook and attempted to unravel the mystery, but input from people online has only created more questions and upped the creepiness factor exponentially.


Perhaps the oddest note of them all contains images of famous Seattlites. In front of rainbow colors, the note displays the odd and creepily drawn depictions.


notessafe


Making an appearance, is Kurt Cobain (the deceased lead singer of Nirvana), Russell Wilson (the quarterback for the Seattle Seahawks), with what looks like small white devil horns on his head, and the Starbucks mermaid who has scars on her chest. At the top of the image is the most befuddling part: three men whose identities are debatable. The one in the middle is most likely former mayor Ed Murray; people think the one on the right might be Stranger editor Dan Savage. Some say the one on the left, the guy holding a book, is Judah Smith from The City Church.


Regardless of the inherent creepy factor, authorities are not concerned. And speculations as to why the messages appear, include a marketing campaign for a video game or some kind of viral advertising scheme.  But no one is certain what the meaning is or the reason these strange notes appeared.



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Author: Mac Slavo
Views: Read by 334 people
Date: September 28th, 2017
Website: www.SHTFplan.com


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Friday, May 26, 2017

John Lennon ‘Murdered by CIA-trained Killer to Stop ex-Beatle Radicalising Youth’ – Author

lennon



Singer, songwriter, and Beatle, John Lennon didn’t meet his fate at the hands of a deranged fan, according to a book; instead, his killer received training from the CIA and other U.S. Intelligence agencies — and not for his music.


Author John Potash claims the U.S. government wanted Lennon erased for his robust influence promoting what it deemed “radical leftist” ideologies.


In essence, dissenting opinion coupled with massive popularity brought to fruition Lennon’s killing.


But United States Intelligence mavens didn’t shake perturbance with dissent after Mark David Chapman ended Lennon’s four decades of life with a hail of gunfire outside the penultimate icon’s New York City apartment on the night of December 8, 1980 — Potash insists the CIA pursued both epochal rapper, Tupac Shakur, and grunge rock legend, Kurt Cobain.


Described in news reports as a rabid, psychotic fan, 25-year-old Chapman landed a sentence of 20 years-to-life after pleading guilty to second-degree murder.


Lennon’s murder has since kindled countless putative ‘conspiracy’ theories, including many mirroring that proffered by Potash in his incendiary book, “Drugs as Weapons Against Us.”


Potash, according to Express, writes that Lennon’s ostensively untenable activities included spearheading anti-war demonstrations and a benefit concert to free imprisoned activist, poet, and similar U.S. government target, John Sinclair.



Sinclair’s radical beliefs and actions — which included founding the revolutionary anti-racist White Panthers — also shook the war-mongering establishment to the core, and the Flint, Michigan, native ultimately succeeded proving he’d been the subject of illegal domestic surveillance to the U.S. Supreme Court in 1972.


Lennon’s turn from drugs toward the anti-war movement and political activism, Potash writes, reaped grave concerns from the Intelligence Community — which saw the ex-Beatle’s unhindered clout over youth as a threat to the U.S. agenda abroad and at home.


Lennon, a native of Liverpool, had just one month remaining until U.S. citizenship would be granted when Chapman took his life.


“This exemplified the international interest and influence of Lennon, underscoring why his leftist activism was a threat to the CIA and the oligarchy,” Potash explains.


“The book recounts an investigation by former Sunday Express legal correspondent Fenton Bresler, who obtained classified documents from the FBI and CIA,” Express reports.


“The documents were said to show the star’s arrest for drugs use in 1972 was ‘to neutralise and disrupt’ his activities. They suggested Lennon was tracked by the intelligence agencies during the 1970s.”



One of the most salient, if explosive, claims detailed in the book surrounds Chapman’s alleged CIA training in Beirut, Lebanon, where — with a hefty population of Palestinian refugees, and as that nation spiraled into heated conflict — the U.S. spy agency had a massive presence, in the years surrounding Lennon’s murder.


According to Potash, Chapman “waited for Lennon to arrive home on the fatal night, kneeled down in a combat stance and shot the star four times in the back from 20ft away […]


“He could have escaped but instead took of his coat, folded it up and took out Catcher in the Rye out of his pocket.”


Countless theories have enunciated peculiarities surrounding Lennon’s killing, including that, as Phil Strongman penned in “John Lennon: Life, Times and Assassination,” Chapman might have been “programmed” to carry out the murder — and J.D. Salinger’s epic tome indeed played a role. He wrote,


“Catcher In The Rye was part of Chapman’s hypnotic programming, a trigger that could be ‘fired’ at him by a few simple keywords [via] a cassette tape message, telex or telegram or even a mere telephone call.”


In a previous interview, NYPD Lt. Arthur O’Connor told Bresler, the Sunday Express journalist, “Chapman looked like he could have been programmed and I know that you are going to make of that word. That was the way he looked and that was the way he talked.”


A spokesman for the U.S. Central Intelligence Agency unsurprisingly asserted to Express the claims in Potash’s book are ‘baseless’ and do not warrant consideration.



However, to the untold numbers comprising Lennon’s perpetual fan base — and to all who champion the right to dissent and the imperative of liberties in the Constitution delineating as much — accounts like Potash’s provide resounding confirmation the government does not, and will never, abide being crossed.